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2022
È«À¯¿µ
¡°¾îÀÇ ¼ø¼³ª Á¸À縦 ÇÕ¸®ÈÇÏ´Â °ÍÀº ±× ÀÚü·Î ¾ð¾îÀûÀÎ °ÍÀÌ¸ç °¡¼³ÀûÀ¸·Î´Â ÀÌ¹Ì ¡®µµ¼°ü¡¯ÀÇ ¾î´À °÷¿£°¡ ³ªÅ¸³´Ù°í ¸»ÇÒ ¼ö ÀÖ´Ù. [¡¦] ±× ´Ü¾î´Â ½Å¼ºÇÑ ¡®µµ¼°ü¡¯ÀÌ ¿¹°ßÇÏÁö ¸øÇß°í, ±×µéÀÇ ºñ¹Ð ¾ð¾î Áß ±× ¾î¶² °Í¿¡µµ ¹«½Ã¹«½ÃÇÑ Àǹ̰¡ ´ã°Ü ÀÖÁö ¾Ê±â ¶§¹®ÀÌ´Ù.¡± [È£¸£Çì ·çÀ̽º º¸¸£Ç콺, ¡ºÇȼǵ须, ¼Ûº´¼± ¿Å±è, ¹ÎÀ½»ç, 2011(¿ø»ç: 1944), p... /
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Anachrony |
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2022
È«À¯¿µ
¡°¾ÆÁÖ¸Ó´ÏÀÇ ¹æÀ̾ú´ø, ±æ ÂÊÀ¸·Î ³ ¿À·¡µÈ ȸ»ö ÁýÀÌ ¹«´ëÀåġó·³ ´Ù°¡¿Í¼´Â ¿ì¸® ºÎ¸ð´ÔÀ» À§ÇØ µÚÆí¿¡ ÁöÀº Á¤¿ø ÂÊ ÀÛÀº º°Ã¤·Î À̾îÁ³´Ù. (³»°¡ Áö±Ý±îÁö ¶°¿Ã¸° °ÍÀº ´ÜÁö ±× À߸° º®¸éÀ̾ú´Ù.) ±×¸®°í ±× Áý°ú ´õºÒ¾î ¿Â ¿Â°® ³¯¾¾ÀÇ, ¾ÆÄ§ºÎÅÍ Àú³á¶§±îÁöÀÇ ¸¶À»ÀÇ ¸ð½ÀÀÌ ¶°¿Ã¶ú´Ù.¡± [¸¶¸£¼¿ ÇÁ·ç½ºÆ®, ¡ºÀÒ¾î¹ö¸° ½Ã°£À» ã¾Æ¼¡», ±èÈñ¿µ ¿Å±è, ¹ÎÀ½»ç, 2.. /
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¿ù°£ ¡¸ÆÛºí¸¯¾ÆÆ®¡¹ 2019³â 12¿ùÈ£ |
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¿¹¼ú, »ì¾Æ°£´Ù´Â °ÍÀÇ ¹æ¹ý
ÀåÁøÅà µ¶¸³Å¥·¹ÀÌÅÍ
È«À¯¿µÀÇ ÀÛ¾÷Àº ½ÃÀûÀÌ´Ù. ±×ÀÇ ÀÛ¾÷ÀÇ Çü»óÀº ´Ü¼øÇϰųª, ¸í·áÇϸç, °£°áÇÑ »óÅ·Π¿Ï°áÇÑ´Ù. ÇÏÁö¸¸ ±×°ÍÀº ¹«ÀÛÀ§ÀûÀ̰ųª ¿ì¿¬ÀûÀÎ °ÍÀÌ ¾Æ´Ï¸ç, ±×¸¸ÀÇ ÀÏÁ¤ÇÑ ¹®¹ý¿¡ µû¶ó ¾î¶°ÇÑ ¿îÀ²°ú ±ÕÇüÀ» ÀÌ·ç°í ÀÖ´Ù. ±×·¯ÇÑ Çü½ÄÀÇ ¼ø¼ö¼ºÀº ±× ¿Ü¸éÀûÀÎ ¸ð½À°ú´Â ´Ù¸£°Ô ±í°í ³ÐÀº ÀǹÌÀÇ ÇÔÃàÀ» Åõ¿µÇϱâ À§ÇÑ °ÍÀ̸ç, ÀÌ´Â °ü°´.. /
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Index on Territory |
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2020
Munumi (Teawhi Kim)
Even in the process of updating a game, the direction of its developers and operators is likely to be present. There is a hidden context in which the player is induced directly or indirectly when adjusting the scoring method winning strategy, and balancing the characters. Nonetheless, some players find new cracks from the intent.. /
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The Rhetoric of Material and Space |
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2019
Sohyun Ahn (Director, Art Space Pool)
Euyoung Hong¡¯s installation tends to give a cordial reception to connection with language. Collected objects, enough that it can be assumed where they have been used, parts of removed buildings, and sculptures, which were cast out from these objects and spaces, are nothing short of delivering a message. Th.. /
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