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월간 「퍼블릭아트」 2019년 12월호 |
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예술, 살아간다는 것의 방법
장진택 독립큐레이터
홍유영의 작업은 시적이다. 그의 작업의 형상은 단순하거나, 명료하며, 간결한 상태로 완결한다. 하지만 그것은 무작위적이거나 우연적인 것이 아니며, 그만의 일정한 문법에 따라 어떠한 운율과 균형을 이루고 있다. 그러한 형식의 순수성은 그 외면적인 모습과는 다르게 깊고 넓은 의미의 함축을 투영하기 위한 것이며, 이는 관객.. /
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Index on Territory |
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2020
Munumi (Teawhi Kim)
Even in the process of updating a game, the direction of its developers and operators is likely to be present. There is a hidden context in which the player is induced directly or indirectly when adjusting the scoring method winning strategy, and balancing the characters. Nonetheless, some players find new cracks from the intent.. /
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The Rhetoric of Material and Space |
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2019
Sohyun Ahn (Director, Art Space Pool)
Euyoung Hong’s installation tends to give a cordial reception to connection with language. Collected objects, enough that it can be assumed where they have been used, parts of removed buildings, and sculptures, which were cast out from these objects and spaces, are nothing short of delivering a message. Th.. /
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Gyeonggi Creation Center Advising Program |
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2019
Sohyun Ahn (Director, Art Space Pool)
The artist Euyoung Hong's work is basically clear. It is intuitively easy to know what space is installed in the exhibition space, what part is omitted, what part is left, and how it differs from ordinary arrangement. And there is little room for disagreement on the topics that the spaces call for. Houses d.. /
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Elaborate Oblivion |
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2019
Euyoung Hong
Solo exhibition Elaborate Oblivion by Euyoung Hong in Gallery 4 at the Youngeun Museum of Contemporary Art in Gyeonggi presents new sculptures and installations, including various cast works that the artist devoted to creating in the past year. In her previous works, Hong continued to explore the social relationship between urban space.. /
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