Euyoung Hong
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2022 È«À¯¿µ ¡°¾îÀÇ ¼ø¼­³ª Á¸À縦 ÇÕ¸®È­ÇÏ´Â °ÍÀº ±× ÀÚü·Î ¾ð¾îÀûÀÎ °ÍÀÌ¸ç °¡¼³ÀûÀ¸·Î´Â ÀÌ¹Ì ¡®µµ¼­°ü¡¯ÀÇ ¾î´À °÷¿£°¡ ³ªÅ¸³­´Ù°í ¸»ÇÒ ¼ö ÀÖ´Ù. [¡¦] ±× ´Ü¾î´Â ½Å¼ºÇÑ ¡®µµ¼­°ü¡¯ÀÌ ¿¹°ßÇÏÁö ¸øÇß°í, ±×µéÀÇ ºñ¹Ð ¾ð¾î Áß ±× ¾î¶² °Í¿¡µµ ¹«½Ã¹«½ÃÇÑ Àǹ̰¡ ´ã°Ü ÀÖÁö ¾Ê±â ¶§¹®ÀÌ´Ù.¡± [È£¸£Çì ·çÀ̽º º¸¸£Ç콺, ¡ºÇȼǵ须, ¼Ûº´¼± ¿Å±è, ¹ÎÀ½»ç, 2011(¿ø»ç: 1944), p... / Read more
 
 
Anachrony
2022 È«À¯¿µ ¡°¾ÆÁÖ¸Ó´ÏÀÇ ¹æÀ̾ú´ø, ±æ ÂÊÀ¸·Î ³­ ¿À·¡µÈ ȸ»ö ÁýÀÌ ¹«´ëÀåġó·³ ´Ù°¡¿Í¼­´Â ¿ì¸® ºÎ¸ð´ÔÀ» À§ÇØ µÚÆí¿¡ ÁöÀº Á¤¿ø ÂÊ ÀÛÀº º°Ã¤·Î À̾îÁ³´Ù. (³»°¡ Áö±Ý±îÁö ¶°¿Ã¸° °ÍÀº ´ÜÁö ±× À߸° º®¸éÀ̾ú´Ù.) ±×¸®°í ±× Áý°ú ´õºÒ¾î ¿Â ¿Â°® ³¯¾¾ÀÇ, ¾ÆÄ§ºÎÅÍ Àú³á¶§±îÁöÀÇ ¸¶À»ÀÇ ¸ð½ÀÀÌ ¶°¿Ã¶ú´Ù.¡± [¸¶¸£¼¿ ÇÁ·ç½ºÆ®, ¡ºÀÒ¾î¹ö¸° ½Ã°£À» ã¾Æ¼­¡», ±èÈñ¿µ ¿Å±è, ¹ÎÀ½»ç, 2.. / Read more
 
 
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¿¹¼ú, »ì¾Æ°£´Ù´Â °ÍÀÇ ¹æ¹ý ÀåÁøÅà µ¶¸³Å¥·¹ÀÌÅÍ È«À¯¿µÀÇ ÀÛ¾÷Àº ½ÃÀûÀÌ´Ù. ±×ÀÇ ÀÛ¾÷ÀÇ Çü»óÀº ´Ü¼øÇϰųª, ¸í·áÇϸç, °£°áÇÑ »óÅ·Π¿Ï°áÇÑ´Ù. ÇÏÁö¸¸ ±×°ÍÀº ¹«ÀÛÀ§ÀûÀ̰ųª ¿ì¿¬ÀûÀÎ °ÍÀÌ ¾Æ´Ï¸ç, ±×¸¸ÀÇ ÀÏÁ¤ÇÑ ¹®¹ý¿¡ µû¶ó ¾î¶°ÇÑ ¿îÀ²°ú ±ÕÇüÀ» ÀÌ·ç°í ÀÖ´Ù. ±×·¯ÇÑ Çü½ÄÀÇ ¼ø¼ö¼ºÀº ±× ¿Ü¸éÀûÀÎ ¸ð½À°ú´Â ´Ù¸£°Ô ±í°í ³ÐÀº ÀǹÌÀÇ ÇÔÃàÀ» Åõ¿µÇϱâ À§ÇÑ °ÍÀ̸ç, ÀÌ´Â °ü°´.. / Read more
 
 
Index on Territory
2020 Munumi (Teawhi Kim) Even in the process of updating a game, the direction of its developers and operators is likely to be present. There is a hidden context in which the player is induced directly or indirectly when adjusting the scoring method winning strategy, and balancing the characters. Nonetheless, some players find new cracks from the intent.. / Read more
 
 
The Rhetoric of Material and Space
2019 Sohyun Ahn (Director, Art Space Pool) Euyoung Hong¡¯s installation tends to give a cordial reception to connection with language. Collected objects, enough that it can be assumed where they have been used, parts of removed buildings, and sculptures, which were cast out from these objects and spaces, are nothing short of delivering a message. Th.. / Read more
 
 
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